Since I’ve begun experimenting with aluminum foil, I’ve taken the time to look at some of Dee Sands’s work. I think especially with Sands’s work, the act of crunching a hard material puts so much energy into the objects. It has completely transformed from a blank flat surface (I assume) into something filled with motion.
Final Work and Touchups
Final day working on my sculpture brief “To Mend”. I was a bit stuck on how to develop this idea into a completed work. John suggested incorporating text and comedy, so I went out and bought some supplies to make price tags and some kind of signage. I bought some reflective tape not having any idea what I was gonna do with it. I just ended up using the tape to add some small details but I feel it completed the work well. I think the final result came together pretty well, it looks kinda like a shitty pop-up shop to me.
Can Can and Bag and Sunglasses
The first idea I developed was the stitched Redbull can. I didn’t get a photo of it before I spray-painted it, but here it is afterward. I wasn’t expecting the paint to catch every detail of the thread but I like the effect of it.
I wanted to work with pins like someone had suggested in critiques. I thought that sticking the pins into some patched-up frames would be funny.
I ended up making two different bags. The white bag I punctured and put some fabric inside, then tried to pull fabric out from the inside but I didn’t really like the result. I liked how the brown bag turned out. I think that working with the tin foil was better than stitching the holes up. I think the contrast between foil and paper work pretty well.
An intervention
Critiques
Experiment
- lights
- shadow casting
- unconventional mending materials
- tin foil
I got some cool ideas and suggestions from my group during the critiques. It also gave me a little more confidence in what I was working on.
Some people suggested I expand the imprint/contour idea of taking casts or molds of objects or land. I think I’m most likely to go forward with the mending idea I’ve started with jeans.
Sculpture – Wetlab week 2/3
This week we began casting and working with slip. It took me maybe 3 or 4 tries to get a fully formed pear without each half splitting apart. I really enjoyed working on this process and it was satisfying to eventually find success with it.
I didn’t remember to photograph my other attempts but I still liked the outcome of the collapsed pears that I tried to make. I would’ve liked to experiment more with some other fruit or vegetables and shape them in different ways before they were fired.
Sculpture week 1 – Introduction to wet lab
This week, I began the process of mold-making using plaster and clay. I have some mold-making experience, but I enjoyed learning more about the hows and why’s of the process.
It was really helpful having a breakdown of all the steps of the initial process and learning about details I hadn’t even considered like making registration holes and mixing plaster properly.
Final work
More pinholes
Edited works lumen and cyanotype
Editing these works in photoshop was really helpful and refreshing for me. At first when I saw the original works I wasn’t interested in them, they seemed dull and I didn’t really care to put them on my wall. But inverting the colors and brightening them brought a new life and personality to them.