Process into Image-Week 3

First of all, the outline of the work was cut, and then the two parts were used as stencils, but it turned out that there were six points that could be used as stencils. I used a spray can spray it on the tops of it like a technique inspired by artists Banksy and Christopher Wool’s stencil/screen-printed artwork.

Push, pull and trace.
Cutting and setting up for the artwork.

I wanted to experiment more on paper with spray paint. So I kept doing what I wanted to do and explored the techniques I had already explored. I sprayed blue spray paint to give a good background and texture, sprayed I Drop ink, and scratched the paper using a sponge. I sprayed red spray paint on top of the other stencil to create a brighter background. So I could see the texture on the paper.

Spray paint with a stencil I created.
Canvas size: 10×20 (35cm x 55cm.)
Spray paint with scratch and wipe technique on paper.
Canvas size: 10×20 (35cm x 55cm.)
The ink over white gesso
Canvas size: 10×20 (35cm x 55cm.)
Mix,drip,swish,scratch, wipe, and smear.
Canvas size: 10×20 (35cm x 55cm.)
Painting over it with acrylic blue paint.
Canvas size: 10×20 (35cm x 55cm.)
Wiping and scraping paint off the surface.
Canvas size: 10×20 (35cm x 55cm.)

 I wanted to keep experimenting with this. At first, I laid one of the canvas on the floor and drew a picture on a white post. To cover the work that has already been drawn. I already got a marker ink for copying filled with ink, although it is shaped like a pen. I used it as a tool to outline people. I kept spilling ink and scribbling. More than I thought of Judy Millar, an artist who creates abstract art. Her technique wipes the surface and scratches the paint. I grabbed the sponge and continued to scratch the paint by mixing dark blue and orange. I wanted to see how the color would turn out. The surface gave the canvas a good scraping texture. I used it to get people’s contour backgrounds and give me an appropriate measure. Black ink creates abstract shapes as well as backgrounds.

Trace, drag, and flow.

For this work, I wanted to explore the negative and positive spaces of the image. Because my main factor is people. At first, I covered it by using a marker drawn with a brush to create my own symbolism mixed with culture as well as tradition. My reference to this was to mix artistic skills, explore them individually, and experiment with them. This allowed artists to better understand how to use abstract and texture and helped me find more skills to do around me.

I enjoyed making stencils and creating silhouettes with spray paint and playing with negative and positive spaces on the outline of the image. I wanted to increase my knowledge and think about the texture effect. I cut out the image of the outline and used it as a stencil, but I had to find a way to keep the image together without collapsing while spraying. The leg or connector is developed to hold the stencil in place and provides the strength required for repeated use. As well as using spray paint and making instinctive things in the house to create textures. Most of them are ink and spray paint, which I felt the most when I drew these pictures. This is because it helps to find a way to connect lines and legs and make stencils with thick outline images.

Negative outline cut out

Because at first, I was using regular paper, so the paper quality was unstable. However, after the spray paint stain did not splatter much on the paper, I sprayed the backside to apply force to the paper. I usually use the things around me to understand the knowledge of the process step by step.

Scratch, wipe, soak, spray
step-by-step experimental process.
Repainted over the canvas again.
Scratch, wipe, smear, drop and trace.
On Canvas.

For the last work. I’m processing the image processing. I used a plastic flute sheet. They were the size of an old album cover on an old retro CD player. It felt like a soft, soft surface and went well with spray paint. I mixed acrylic paint, spray paint, and pastel in two plastic flute sheets to give texture to each surface. Old fabrics, sponges, and plastic bags can be used to create paint effects. I used the technique of rubbing the surface with a sponge and dropping ink on paper.

Scratch,smudge,wipe,smash
2 plastic flute sheets.
1 Canvas.

I think I got a good response by creating my own art stencil by consistently attempting other methods with acrylic paint using art techniques to create a pattern that abstracts new methods and backgrounds. By choosing one of my favorite works last week, I mixed a lot of media using one contextual image and continued to explore various visual methods through artworks.

Silhouette artwork

I found a broken chair and used the fabric from the broken chair and drew a picture on a fabric mixed with pastel, spray paint, and acrylic paint. This is the process. Its texture was surprisingly soft and melted very well with spray paint ink. At first, it felt like dust, but if you spray more, it mixes with paint, giving you an itchy feeling and goes well with the paint.

Bolster fabric
Acrylic paint, spray paint, and pastel.
A3 Posterboard.
On canvas
On Canvas

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